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7.  Is it correct that counter-culture is a harbinger of a new culture?
                  8.  What modern youth subcultures do you know?

                                                          References


                  1. Cante, Richard C. (March 2009). Gay Men and the Forms of Contemporary
                     US Culture. London: Ashgate Publishing. ISBN 0-7546-7230-1.

                  2. Goffman,  Ken.  (2004). Counterculture  Through  the  Ages.  Villard
                     Books. ISBN 0375507582.
                  3. Greif, Mark. 2010. “The Hipster in the Mirror.” New York Times, November

                     12. Available at:
                     http://www.nytimes.com/2010/11/14/books/review/Greif-t.html?pagewanted.
                  4. Rickard,  John  (2017).   Australia:  A  Cultural  History. Monash  University
                     Publishing. p. 224.

                  5. Smolík,  Josef.  (2013).  Youth  Subcultures  ad  Social  Pedagogy.  Poznan:
                     Kultura  –  Społeczeństwo  –  edukacja,  Nr  2  (4).  Available  at:

                     https://pressto.amu.edu.pl/index.php/kse/article/viewFile/10965/10550.
                  6. Youth  subculture.  Masaryk  University  information  system:  study  materials
                     posted     under     the   course     FF:     CJVAIKIS        MU.      Available     at:
                     https://is.muni.cz/el/1421/podzim2017/CJVAIK/um/subcultures/?fakulta=142

                     1;obdobi=6944;lang=en.










                                                              Lecture ІХ

                          CULTURAL UNIVERSALIZATION. MULTICULTURALISM AND

                           CULTURAL IDENTIFICATION IN THE MODERN WORLD



                                                                  Plan

                         1.  Tendencies of cultural universalization  and its forms.

                         2.  Multiculturalism. The idea of the equality of cultures in the modern

                  world. Interconmmunication of cultures and national originality of peoples.

                         3.  Culturological concepts of identification.


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