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15.2  Declamatory  (Artistic)  Style.  Language  of  Poetry.
             Phonetic Expressive Means in English Poetry. Drama


                    In  declamatory  (artistic,  belles-lettres)  style  the  speaker's

            aim is to appeal simultaneously to the mind, the will and feelings
            of  the  listener  by  image-bearing  devices.  Declamatory  style  is

            generally  acquired  by  special  training  and  it  is  used  in  stage

            speech,  recitation,  reading  aloud  fiction.  The  intonation  of  the
            author's  speech  or  a  monologue  is  characterized  by  the  use  of

            Falling  tones.  The  nuclear  tone  in  final  intonation  groups  is

            generally the Low Fall. The principal nuclear tones in non-final
            intonation  groups  are  the  Low  Fall,  the  High  Fall  and  the  Fall-

            Rise. The speed of utterance is relatively slow and as a result there
            are  no  marked  variations  in  rhythm.  Pauses  may  be  different  in

            length but long pauses are more common.


                   Verses  have  well-defined  patterns  of  rhythm  –  the  stressed

            syllables  follow  one  another  in  regular  intervals  of  time:  the
            intervals between the stressed syllables are approximately equal.

            The  most  typical  tone  of  recitation  is  Falling.  The  Low  Fall  is
            especially often used in quiet lyric poems. The High Fall is used

            when the atmosphere is of the poem is strained. It is often used in
            grand, pompous, solemn verses. Tempo is also a very important

            feature  of  poetic  speech.  Pauses  in  poetic  style  fulfill  various

            functions.  More  or  less  equal  length  of  pauses  creates  the
            atmosphere  of  quietness  in  lyric  poetry.  Long  pauses  create

            pompous atmosphere. Psychological pauses are often met to fulfill

            emotional function in poetry.


                   Language  of  the  drama  is  entirely  dialogue.  The  author's
            speech  is  almost  entirely  excluded  except  for  the  playwright's

            remarks and stage directions. But the language of the characters is
            not  the  exact  reproduction  of  the  norms  of  colloquial  language.

            Any  variety  of  the  belles-lettres  style  will  use  the  norms  of  the

            literary language of the given period.


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