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3. The analysis is intended to identify the recipient and predict the
understanding of the text.

4. The analysis, which aims to determine the general, special and individual
characteristics of the work and comprehension of the author's plan.

Conditionally, two types of editorial analysis can be distinguished for the
two components of the work - in terms of content and form.

In the first case, the subject of the analysis is:

1) thematic;

2) factual;

3) special-subject;

4) the functional components of the content.

In the second case, the subject of the analysis is:

1) compositional;

2) heading;

3) logical;

4) language-linguistic;

5) the graphic component of the text.

Composition (from Latin compositio - compilation, creation) is a

construction of the work, the unity and ratio of all its constituent parts; external and

internal organization [8, p. 58].

The text is known to be a composite whole. The peculiarities of a

composition of a particular work depend, firstly, on the content of the work, and

secondly, on the author's idea (his concept), and thirdly, on the genre of the work.

In addition, each author has his favorite methods of constructing the text. The

composition is figuratively called the "skeleton" work, because the composition

fastens all elements in the unity, gives the product completeness. But the

composition - it's not just a formal design, but a content building. The content

reveals by using the selection and placement of elements of the structure of the

work. Also the composition distinguishes storyline and storyless. The storyline

composition is in its turn subdivided into chronological (a series of events is built