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into the temporal and causal dependence, that is, one event causes another, etc.)
and concentric, or the composition of a single event.

Depending on the type of text construction, one can distinguish:
1) narrative composition;

2) descriptive;
3) logical (composition of reflection).

Each type of composition has its own rules of construction, which must

necessarily be taken into account during the process of editing a work.

The composition of a scientific work will be completely different. But there

are general rules that apply to any work. They include:

1) compositional completeness and unity;

2) the consistency and logic of the parts;

3) proportionality of parts;

4) motivation of compositional techniques. The product should not have

non-functional elements, so-called packaging material. When constructing a

composition of a work, it is important not to overburden it with superfluous

elements, unnecessary trifles. Also, the authors should take care (and editors keep)

about the clarity of construction. And this applies to both big by volume and small

texts.

Criteria for composition analysis include:

1) logic;

2) the conformity of the composition to the content and purpose.

The logic of the composition. The composition must satisfy the logic

requirements. Therefore, the editor foreshadowed the bulk of the volume. Next, we

need to trace the relevance (proportionality) of the content of the topic. The main

thing here is to have the topic been fully disclosed. Negatively affects the

discovery of the topic of its blurriness, the burden of other minor parts. It is

important that the headline also corresponds to the topic. Consequently, the editor

must compare the content of the work (part) with its title.

In general, these requirements are put to the headings: