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Minos (the entire culture is often called Minoan Crete) was considered the son of
                  Zeus and a cultural hero. He introduced the laws andbecame the supreme judge.
                  Queens may have served as high priestesses .
                        The Aegean painting point out a peculiar coexistence of two traditions: the

                  canonical, grand one, according to which the figures are treated with a high degree
                  of conditionality (eyes, a full face, head and limbs in a profile), and a realistic or
                  naturalistic one called the expressive portrait.

                        The  culture  of  Crete  made  a  deep  impact  on  the  ancestors  of  the  ancient
                  Greeks, the Greek  mythology since  it echoed the archaic  notions of  the Cretan-
                  Mycenaean culture that was the birthplace of  gods Zeus and Dionysus,  goddess

                  Aphrodite,  the  homeland  to  the  legendary  palace  built  by  Daedalus,  labyrinth
                  where Minotaur roamed, a giant with a bull's head, that ate the best girls and boys
                  of the Athens, until the son of Athenian king Egey Theseus won the monster and

                  got out of the maze by using the guiding thread of Ariadne. The texts of the so-
                  called  ‘Linear  writing  B’  (XV-XIV  centuries  BC),  decoded  by  British
                  cryptographer, architect M. Ventrisom brought us many names of deities, among
                  which  there  were  Poseidon,  Athena  (goddess  of  the  hearth),  Artemis  (as  the

                  goddess of nature) Arey, Hermes, Dike (goddess of justice). The Cretan origin is
                  one of the ‘classical’ Greek ideas about the afterlife – the Overseas Elysee Champs

                  (Elysium), where the dead heroes revived and came back to the new life during the
                  perio of the ‘Golden Age’. With the cult of Dionysus, ancient traditions of theater
                  came to Ancient Greece.
                        The Mycenaean population (‘Achaeans’) conquested not only the Crete. For

                  the XV-XIIth centuries BC they extended their influence in the entire Aegean and
                  Minor  Asia coast  including Troj. Scientists believe that ten  years’ ‘Trojan War’
                  lasted  even  more  and  comprised  a  series  of  geographically  dispersed  military

                  conflicts between the Achaeans and inhabitants of Asia Minor. ‘The Odyssey’ as
                  the history of other heroes of the Trojan War who never returned home reflects the
                  process  of  colonization  by  the  Achaeans  of  the  coast  of  Minor  Asia  during  the

                  ‘Trojan War’.
                        The Greeks  viewed  the  Achaeans as their ancestors, who  secured by threir
                  glorious deeds peaceful existence of their descendants as well as the patronage of

                  gods.  The  participants  of  the  Trojan  campaign  were  considered  to  be  the
                  predecessors of every Greek and every Hellene reaching 14 years had to memorize
                  the ‘Iliad’ and ‘Odyssey’ (not in vain Homer was called ‘the teacher of Greece’).
                        The  Mycenaean  culture  centers  were  opened  in  1970  –  80s  by  famous

                  archaeologist,  phenomenal  polyglot  and  millionaire  Heinrich  Schliemann  who
                  believed in the historical authenticity of the Homeric myths. His efforts culminated
                  in the sensational excavation of the  Hissarlyk  hill  (Troj) and  later Mycenae and

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