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form;
3) reading in order to deepen the comprehension of the material of the work

and critique it in detail.
The second reading, highlighted by the researcher, can be called appraisal,

and the third - grinding (grinding details of the form of the work).
n contrast to reading the text by the recipient and the author, the editor's

reading is

professional, special reading, although in his new book is the usual

perception of the text. But the editor has to overcome the automatism of the

ordinary

reading slowing down the pace. The editor should be interested not so much

story material, but how it is served, design. In addition, the editor should become a

regular reader, look at the text of his eyes. He must also understand the author, take

his position. In this case, the editor helps both: the first - to understand the plan, the

second - to implement its most optimal help. An experienced editor oriented to the

course of the creative process, as well as a well-known circle of future specialists,

will be able to find out where and for what reasons the author's idea was beyond

the scope of the reader's perception, and, accordingly, improve the presentation.

Thus, editorial reading of the text is characterized by:

1) referral, that is, control the process of perceiving the text by the reader;

2) diligence, because each flaw should fall under the sharp eye of the editor;

3) active attitude to the text;

4) moderation and weighting;

5) knowledge of the nature of the text and its building material - the

language.

Knowing everything - for the editor it means to achieve that in the text on

which he works, there was no vague phrase for him, no word, the meaning of

which is clear to him only about. Never for an editor will be an excuse for not

knowing something. Therefore, the sequence of thoughtful stages and knowledge

of the editor in the field of writing a oil and gas text is very important for editing