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had been  handed  down from  one generation to another,  my uncle  was
                            deeply moved and shook my hand, turning pale with joy and admiration,
                            and being utterly incapable of saying a word. He left the house as a man
                            leaves something so touching he cannot bear to be near it, and I began to
                            try to  determine  if  I  might be able,  with care, to  get  myself from  one
                            point to another in the pants.
                                    It  was  so,  and  I  could  walk  in  the  pants.  I  felt  more  or  less
                            encumbered,  yet  it  was  possible  to  move.  I  did  not  feel  secure,  but  I
                            knew  I  was  covered,  and  I  knew  I  could  move,  and  with  practice  I
                            believed  I  would  be  able  to  move  swiftly.  It  was  purely  a  matter  of
                            adaptation.  There  would  be  months  of  unfamiliarity,  but  I  believed  in
                            time I would be able to move about in the world gingerly, and with sharp
                            effect.
                                   I  wore  my uncle's pants for  many  months, and these were the
                            unhappiest months of my life. Why? Because corduroy pants were the
                            style.  At  first ordinary corduroy pants  were the style, and then a  year
                            later  there  was  a  Spanish  renaissance  in  California,  and  Spanish
                            corduroy  pants  became  the  style.  These  were  bell-bottomed,  with  a
                            touch  of  red  down  there,  and  in  many  cases  five-inch  waists,  and  in
                            several  cases  small  decorations  around  the  waist.  Boys  of  fourteen  in
                            corduroy pants  of this  variety  were boys  who  not  only felt secure and
                            snug,  but  knew  they  were  in  style,  and  consequently  could  do  any
                            number  of  gay  and  lighthearted  things,  such  as  running  after  girls,
                            talking with them, and all the rest of it. I couldn't. It was only natural, I
                            suppose, for me to turn, somewhat mournfully, to Schopenhauer and to
                            begin despising women, and later on men, children, oxen, cattle, beasts
                            of the jungle, and fish. What is life? I used to ask. Who do they think
                            they are, just because they have Spanish bell-bottomed corduroy pants?
                            Have they read Schopenhauer? No. Do they know there is no God? No.
                            Do they so much as suspect that love is the most boring experience in the
                            world? No. They are ignorant. They are wearing the fine corduroy pants,
                            but  they  are  blind  with  ignorance.  They  do  not  know  that  it  is  all  a
                            hollow mockery and that they are the victims of a horrible jest.
                                   I used to laugh at them bitterly.
                                   Now  and  then,  however,  I  forgot  what  I  knew,  what  I  had
                            learned  about  everything  from  Schopenhauer,  and  in  all  innocence,
                            without any profound philosophical thought  one  way or another, I ran
                            after girls, feeling altogether gay and lighthearted, only to discover that I
                            was being laughed at. It was my uncle's pants. They were not pants in
                            which to run after a girl. They were unhappy, tragic, melancholy pants,
                            and being in them, and running after a girl in them, was a very comic


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